Klezmer Conservatory Band

From the shtetls of Eastern Europe, through the emigration to America, from the jazz clubs of cities and the stages of Yiddish theater comes the music of the Klezmer Conservatory Band. Klezmer music began in medieval Europe, where bands of itinerant Jewish musicians went from town to town playing for Jewish festivals and special events. By the 19th century, klezmer music had become a well-developed musical style, taking its inspiration not only from the synagogue, but from the non-Jewish culture that surrounded it.

From the shtetls of Eastern Europe, through the emigration to America, from the jazz clubs of cities and the stages of Yiddish theater comes the music of the Klezmer Conservatory Band. Klezmer music began in medieval Europe, where bands of itinerant Jewish musicians went from town to town playing for Jewish festivals and special events. By the 19th century, klezmer music had become a well-developed musical style, taking its inspiration not only from the synagogue, but from the non-Jewish culture that surrounded it. In America, immigrant Jewish musicians adapted this music to the new rhythms and instruments they found, creating new klezmer forms. Until the 1940's, klezmer orchestras flourished, but with the new styles of music, and the immigrant Jews' desire to appear "American," the klezmer tradition faded. Today, however, a klezmer revival is in full swing, with the Klezmer Conservatory Band playing a prominent role. Fueled by a desire to return to his roots, and the inherent appeal of the music, Hankus Netsky, the band's founder, discovered that both a grandfather and an uncle were in Philadelphia klezmer orchestras in the 1920's. In 1980, while an instructor at the New England Conservatory of Music, he formed the band. Since its formation in 1980 the KCB has performed concerts from coast to coast. In April of 1990, the Klezmer Conservatory Band made its debut tour abroad, performing several concerts in Germany and giving a remarkable performance at the first-ever International Yiddish Festival in Krakow, Poland. The band has toured Europe regularly, and has also appeared at Australia's Adelaide Festival, New Zealand's International Festival of the Arts and Womad. The band has made numerous appearances on Minnesota Public Radio's A Prairie Home Companion, with Garrison Keillor. In 1994 the band performed with Joel Grey in his recreation of Mickey Katz’s Borscht Capades and appeared in a PBS special with renowned violinist Itzhak Perlman called In the Fiddler's House, filmed in Krakow, Poland and New York. The program traced the Klezmer roots of Perlman's artistry and featured the soulful sounds of the KCB. A joint recording on EMI was released in the fall of 1995 (live version was released in the fall of 1996), and "In the Fiddler's House" concerts were performed in major venues, including Wolftrap, Great Woods, Radio City Music Hall, the Ravinia Festival, the Saratoga Music Festival, and the Mann Music Center (Philadelphia). In December of 2002 the Klezmer Conservatory Band performed a concert of orchestral arrangements of klezmer and Yiddish vocal music with the Atlanta Symphony Orchestra. KCB has the following recordings: Yiddishe Renaissance, Klez, and A Touch of Klez on the Vanguard label; Oy Chanukah, A Jumpin' Night in the Garden of Eden, Old World Beat, Live! The Thirteenth Anniversary Album, Dancing in the Aisles andthe highly acclaimed Dance Me to the End of Love on Rounder Records.Their 10th album, A Taste of Paradise was released in November of 2003. The band was featured in the 1988 documentary film, A Jumpin' Night in the Garden of Eden and was also featured in the film Enemies, A Love Story. The KCB filmed a children's video for Rabbit Ears Productions entitled “The Fool and the Flying Ship,” with narration by Robin Williams and an original score composed by Hankus Netsky, which aired nationwide on Showtime Cable Network.

Jim Guttmann's Bessarbarian Breakdown

After performing with the  Klezmer Conservatory Band since its beginnings in 1980 and and performing with klezmer band leaders Margot Leverett, Frank London, Pete Sokolow, Andy Statman and Alicia Svigals,  Jim has taken what he’s learned about klezmer music and recorded an album that successfully threads klezmer music through his work in other musical genres.

After performing with the  Klezmer Conservatory Band since its beginnings in 1980 and and performing with klezmer band leaders Margot Leverett, Frank London, Pete Sokolow, Andy Statman and Alicia Svigals,  Jim has taken what he's learned about klezmer music and recorded an album that successfully threads klezmer music through his work in other musical genres. The music refers to Mardi Gras in New Orleans, Tower of Power visiting the Caribbean, Erroll Garner's work with Slam Stewart and the rapper Nelly as well as the traditional music of clarinetist Dave Tarras and violinist Leon Schwartz. Listen to tracks and see reviews on the recordings page. Buy the CD at href="http://www.cdbaby.com%3E/" target="new">www.CDBaby.com or download it from iTunes.

Fascinatin' Rythm

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Fascinatin’ Rhythm, built around the trio of guitarist Jon Damian,  Jim on bass and drummer Grant Smith, expands to a quartet or quintet at your request. The group plays jazz standards, bossa nova and be-bop from the heart of the jazz tradition. Burnin’ in a club or swinging politely in your home.

Jimmy & the Kleztones

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Great klezmer, swingin’ jazz, classic R&B


Jim’s wedding band, Jimmy & the Kleztones, features Boston klezmer, jazz and R&B veterans. Dance a hora, jitterbug or just get down and boogie.

RESQ - The Really Eclectic String Quartet

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Led by Boston violinist Mimi Rabson, with violinist Eric Bindman and violist Melissa Howe, RESQ  explores and adds to a world of music not traditionally intended for string quartet. The quartet plays fiddle music from around the world, jazz & Afro-Cuban standards and some original compositions.

WHAT THE CRITICS SAY:

"The Really Eclectic String Quartet thoroughly lives up to its name, which makes it pretty hard to define its music. The local group's second CD displays wonderful imagination, humor, and technical virtuosity . . . the players have a passionate, driving attack that makes their music leap out of the speakers, and the complexity of their arrangements should keep the interest of the most sophisticated listener."      ----- Elijah Wald, Boston Globe
WHAT THE CRITICS SAY:
"The Really Eclectic String Quartet thoroughly lives up to its name, which makes it pretty hard to define its music. The local group's second CD displays wonderful imagination, humor, and technical virtuosity . . . the players have a passionate, driving attack that makes their music leap out of the speakers, and the complexity of their arrangements should keep the interest of the most sophisticated listener."      ----- Elijah Wald, Boston Globe

Jeff Warchauser Klezmer Ensemble

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Jeff Warschauer’s first outing as a band leader. I originally met Jeff at the Springfield Street Saloon, Cambridge’s country music emporium in the late 1970s, when he was playing with Columbus East and I was playing with the legendary Cheap Trills. What a surprise it was to run into him years later as we were both beginning to explore klezmer music.

Itzha Perlman & The Klezmer Conservatory Band

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In the mid-1990’s the ever musically restless Itzhak Perlman began his ongoing exploration of kezmer music by recording and touring with ther Klezmer Conservatory Band and three other leading proponents of the klezmer music revival, the Klezmatics, with KCB alumnus Frank London, Brave Old World, led by KCB alumnus Alan Bern and Andy Statman. Two recordings, In The Fiddler’s House  and Live in the Fiddler’s House and tours around the US and perfoamnces in Mexico City  and, more recently,  Moscow, Russia resulted from this collaboration.

Blackened Whitefish

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Cajun, Zydeco and New Orleans R&B, with or without old world spices. Featuring fiddler Mimi Rabson, accordionist Evan Harlan, drummer Grant Smith and Your Neighborhood Sax Quartet’s tenor saxophonist Joel Springer.

Frank London & Strings

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A collaboration between trumpeter Frank London, Art Bailey’s Orkestra Popilar and the Lincoln Center Institute for the Arts in Education’s program bringing the performing arts into schools.

Art Bailey's Orkestra Popilar

With what we eventually learned was Art Bailey’s can do attitude, he auditioned for the Klezmer Conservatory Band having never played accordion until two weeks before the audition. A true musical omnivore, he continues to learn all he can about the accordion and has since moved to New York to be in the heart of the creative music scene and learn all he can about Afro-Cuban, modern classical and contemporary rock  music. This album reflects his appreciation for the klezmer tradition.

WHAT THE CRITICS SAY:
On “Branch from the Tree” (HRL Records) by Art Bailey’s Orkestra Popilar, the bandleader and arranger digs deep into the mostly Romanian repertoire of immigrant-era great Joseph Moskowitz, who specialized in composing and performing elegant suites of music on tsimbl, or hammered dulcimer. With his quintet, something of an all-star ensemble including fellow Klezmer Conservatory Band members Jim Guttman on bass and Brandon Seabrook on mandolin, as well as two young, up-and-coming violinists, Bailey revives the lively sound of Moskowitz’s suites in arrangements that should appeal to fans of Andy Statman’s early klezmer recordings. And with this CD, Bailey establishes a place for himself in the forefront of revival-style klezmer, alongside musicians with whom he’s performed, including violinist Alicia Svigals, clarinetist David Krakauer, and trumpeter Frank London.    ----- Seth Rogovoy, Berkshire Jewish Voice